… What if I finally got into music?
“But by Jove, music is a dream from which the veils are drawn aside! It is not even the expression of a feeling, it is the feeling itself!”
Claude Debussy
Eternal student of the sonic world, after a long and unconventional professional journey on the fringes of the musical world, I have decided to fully devote myself to my passion, which has been present since the age of 3 when I discovered the joys of the keyboard with my first children’s piano.
I learned music theory and harmony self-taught and at the music school, where I acquired the basics of writing for instruments. These were also my first performances at regional electronic organ competitions that would make me want to push my personal work further. Later, I undertook musical studies in high school (A3 Arts and Literature) and turned towards learning piano and drums.
At the same time, I discovered the joys of sound recording with my grandfather’s analog tape recorder, with which I carried out my first sound experiments close to those of Pierre Henry, using recordings of objects and everyday sounds.
Comforted in this musical path, I decided to learn on my own the rudiments of MIDI composition through Tracker software on Amiga and Atari ST, and from this, a few « demos » were born for the alternative developers of the time. Arriving in the Paris region in 1990, I discovered the electronic movement and became a DJ in several renowned Parisian establishments and at rave parties, while working as a specialized record seller at USA Imports. I was thus able to rub shoulders with the famous DJ and electronic composer Laurent Garnier, as well as Eric Morand, who worked at that time for FNAC Music Dance Division. The creation of the independent label F Communications and its musical affinities led me to collaborate with other artists and labels.
Passionate about sound synthesis and analog equipment, I expanded my studio. I then began training as a sound engineer at the School of Audiovisual Productions (ESRA), which I completed successfully. My training internships in audiovisual structures (notably La Huit Productions) allowed me to acquire new skills in sound recording, audio editing, mixing, and video.
Parallel to these activities, I created my own entirely electronic project under the pseudonym Flood Veyor, thus refining my personal style combining intimate and deep atmospheres with « technoid » sounds. A collaboration with Laurent Boudic (Növö-Genetik System) led me to compose my first album, Mindscapes. My remixes for Laurent’s musical projects met with great critical success, and my work was recognized on a larger scale. I also self-produced my second album in 2013, Lifelines, an intimate album in which I deliver more personal pieces, based on my life journey.
Since 2000, I have considerably broadened my skills. I have carried out numerous sound edits and mixes for videos and multimedia and composed music notably for transmedia games, 3D video and VR projects, advertisements and trailers, websites, short films, contemporary dance, choreographed shows, as well as other sound design activities, such as the study of binaural and isochronic sounds.
Always in search of new sound spaces, projects, and collaborations, I am open-minded and non-restrictive. I am at the service of music and vibrational emotions… My diverse influences in different modes of artistic expression, my curiosity, and my musical culture push me not to limit myself to a repertoire or a field of activity. Music is indeed a global vector of emotions and a universal language.
All for music and (e)motions… / Audio creations for (e)motions
Musical influences
Everything can be a source of inspiration and come from so many different things. From music to graphic arts, through cinema and other forms of art or thought. Behind each artist, there are also lyricists, sound engineers, instrumentalists, producers, etc…
It would be difficult to mention everything! In the musical field, my music will certainly speak for them…